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DIVINE BROWN

Divine Brown, previously known as Divine Earth Essence, is a Canadian Juno Award-winning R&B and soul singer and theatre performer.

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Nana: I have the distinct pleasure of speaking with Juno Award winning, Soul/R&B artist Divine Brown. Divine, how are you doing today?

Divine Brown: I’m really good, outside of being a little under the weather, I’m good.

Nana: That’s good, um, how would you describe your voice?

Divine Brown: Wow, ahh…powerful, virtuosic meaning that it’s pretty versatile and it’s honest. If a voice could be honest, I think my voice is honest and raw.

Nana: Interesting…how would you describe your music?

Divine Brown: My music is soulful, there are some jazzy elements to it, again, it’s raw, and it’s honest. I love mixing it up with the r&b, the soul, and the pop, with old school and new school flavours, but the old school is definitely a huge part of who I am.

Nana: At what age, would you say that you discovered your passion?

Divine Brown: I always knew I wanted to be an entertainer, so, it’s difficult, cause I always say at birth. I just always knew. In the 70s as a baby, artists would come on the tv and I would just be bouncing. I had the stories of my mom taking me to Jamaica into a little bar or tuck shop, and as soon as I would see a juke box I would start begging her for change and play whatever song over and over. When she’d run out of money, I’d go to the owner (laughs).

Nana: (laughs) very resourceful little girl (laughs)!

Divine Brown: Yeah. I mean, I just knew what I wanted to do.

Nana: What moves you to write songs and is there a particular song that you feel most proud of?

Divine Brown: My life experiences and the song that I’m most proud of is like saying, ‘pick your favourite child’ if you have one. So I have a lot of songs that I really loved writing, it’s hard, I have so many favourites.

Nana: Okay…do you have a top 5 maybe or a top 3 perhaps? 

Divine Brown: Well I really liked Sunglasses, I like the process of writing that because it was so random the way that the inspiration hit. That song by Corey Hart was in my head for, like, two weeks and then I asked my Capoeira instructor what sunglasses was in Portuguese and then I just kind of developed the song from what he said. Sometimes it can be so random. Lay It On the Line, I was talking about a real experience that I have been through, you know such a good friend of mine I saw picking the wrong girl over and over and over again, wishing that he would just take a chance on me. Of course Old School Love too, I love it because it was a very organic inspiration that happened. If just kind of came to me and just kind of flowed in the studio and I just took a bunch of ideas in my head and amalgamated them into this song.

Nana: Right…do you know of any challenges faced with being in a group as opposed to a solo artist?

Divine Brown: Groups have to work together and everybody has to know their roll. Everybody needs to adhere to their part in the group and you absolutely cannot have an ego in an environment like that because it will ruin the magic and beauty of what is being created.

Nana: What challenges do you face as a solo artist?

Divine Brown: Oh, there’s so many! Where do I start? I’d love to be more recognized outside of Canada and that’s been a huge challenge but I’m still truckin’ forward, I love what I do which alleviates some of the hardships and the challenges that come with being a solo artist. Um, a challenge being a female solo artist, especially with a produce and songwriter sensibility that I have is having my ideas being heard. Producers who will trust my vision and bring it to fruition are very rare. 

Nana: Interestingly put. Who influences you vocally?

Divine Brown: I have a lot of influences. It’s really interesting because a young male vocalist, approached me and told me he was heavily influenced by me. And I said ‘huh,’ he said that someone told him that if he listened to a lot of female artists it would give him more of an interesting sound. The thing about that is that I listen to a lot of male vocalists. Now, don’t get me wrong, I listen to a ton of female vocalists but, I was influenced a great deal by the male vocalists that I listen to. On the female side, Chaka Khan, Aretha Franklin, Denise Williams, Minnie Riperton, and then on the male side people like Al Green, D’Angelo, Cee-Lo Green, Marvin Gaye, Stevie Wonder, Will Downing, Howard Hewitt, Glen Jones…these are people from way out…(starts singing) do you know him?

Nana: No, I’m not familiar.

Divine Brown: How about Howard Hewitt? (starts singing)

Nana: No, but I wish I did, that sounds like something I’d definitely get down with!

Divine Brown: (keeps singing and smiles).

Nana: What is your overall vocal regime?

Divine Brown: I (laughs), I’m lazy so I’ll use the first two sets of my performances to warm up and then I’ll murder it in the last set.

Nana: Really?

Divine Brown: (laughs) Yes!

Nana: I’m very surprised to learn that.

Divine Brown: (laughs), listen, I try to steam often…I really had to force myself to do so. I find that hot yoga, bikram more specifically, is fantastic for my voice because it expands my lung capacity and helps me with being able to hold notes for a very long time. I find that bikram has been essential to helping develop that.

Nana: When would you say that you are vocally at your best? Morning, afternoon, or evening?

Divine Brown: Evening. Like late afternoon/evening. Like I said, I’m lazy, so I use talking all day to warm up (laughs) and by the time it’s show time, I’m raring to go.

Nana: Does that really help?

Divine Brown: No (hahaha)!

Nana: (Laughs), is there any difference for you between recording in the studio…

Divine Brown: …and singing live?

Nana: Hmm hm.

Divine Brown: Big time. I love singing live, I don’t love singing in the studio because I’m not comfortable. Over the years, I have become more comfortable and I don’t know what it is whether it be experience or confidence that changed. I mean, there are certain things that I can only do live that was more difficult for me to do in the studio. Like runs for instance, I love messing with runs live, much harder to do in the studio, I have to really think about it…I don’t know why that is but it’s becoming easier.

Nana: Wow, that’s really interesting…what is your aim when you perform? What do you want your fans to take away from your performance?

Divine Brown: Oh my goodness, I just want them to walk away feeling like they had a better day than when they walked in to see me sing…that, for me, is the biggest thing. I wanna touch people, I’m not doing my job if people aren’t reacting, I gotta dig deeper and that’s kind of my

Ithing, I gotta dig deeper until I get a reaction from people. I mean, Montreal has one of the best crowds. I mean, you guys are so appreciative of good music.

Nana: Well, alright then. You have such a confident stage presence, is there anywhere you channel that confidence from?

Divine Brown: Wow, um maybe it’s experience that has built that confidence up, also, I think that God implanted something in me at an early age. I’ve taken some chances as a kid and I feel that I need to take some chances now as an adult that you have to have a lot of confidence to do.

Nana: Do you think that what you eat affects your voice?

Divine Brown: Yes. I can’t eat poutine before a performance, boo! But, you know, I try to stay away from poutine anyway because it goes straight to my hips, I have enough hips to feed a nation. Cheeses and carbs are bad because I wanna sleep, so I try to keep it lean meat and vegetables before a performance.

Nana: How have your vocal practices changed since you first began recording till now?

Divine Brown: I think because my voice has developed more and become richer over the years, I’m able to do more with it and now I can do what I have envisioned to do with my voice pretty effortlessly.

Nana: What is a typical rehearsal like for you?

Divine Brown: A lot of fun and silliness…(laughs), in the midst of getting work done.

Nana: Describe a challenge you constantly face in your practices.

Divine Brown: Well, when I’m doing vocal exercises, my voice changes from day to day. It’s frustrating cause some days I can hit super high like whistle-tone register and some days I can’t. Some days I’m like, ‘oh yeah, I can do it’ (starts singing), and then I get on stage and it’s not happening. So it just depends.

Nana: Okay…do you feel a connection between your physical and vocal workouts?

Divine Brown: Big time, the two are synonymous with each other because being and staying active is what helps me to maintain vocal strength.

Nana: How regularly do you workout vocally?

Divine Brown: I don’t really have a routine. Most vocalists would tell you that they don’t really have a routine.

Nana: What do you like about your voice? 

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“Jephte Bastien: Crafting Cinema, Challenging Norms, and Championing Authentic Stories”

Jephte Bastien, a multifaceted director, producer, creator, and editor, has carved a unique path in the film industry. From his humble beginnings in Haiti to his groundbreaking work in cinema, Jephte’s journey is a testament to resilience, creativity, and an unyielding passion for storytelling. In a recent interview, Jephte shared insights into his life, inspirations, and the challenges he has faced as a filmmaker.

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Early Beginnings: A Childhood of Creativity

Jephte’s love for storytelling began in his childhood. Growing up in Haiti, he would cut out paper silhouettes, align them with thread, and use a flashlight to project characters onto a makeshift screen. This early form of shadow puppetry allowed him to mimic voices and create stories, laying the foundation for his future in filmmaking. Music also played a significant role in his upbringing. As the seventh of nine boys in a large Christian family, Jephte started singing in church at the age of five. His family’s tradition of entertaining one another—through poetry, singing, and dancing—fostered his creative spirit.

Haiti: A Source of Inspiration

Haiti holds a special place in Jephte’s heart. Despite the media’s often negative portrayal of the country, Jephte describes it as a paradise filled with vibrant culture, music, and natural beauty. His early memories of Haiti are filled with joy—playing games, eating mangoes straight from the trees, and forming lifelong friendships. When his family moved to Canada, Jephte struggled with homesickness and depression. Haiti became a recurring theme in his dreams, a place he would revisit mentally to find solace and inspiration. Even as an adult, he traveled back to Haiti frequently, using the trips to rejuvenate his creative energy.

The Church and Early Questions

Growing up in a religious household, Jephte was deeply involved in the church. However, he began to question the narratives he was taught, particularly the lack of representation of Black people in religious imagery. These early questions about identity and representation would later influence his work as a filmmaker. Jephte’s departure from the church was not a rejection of faith but a search for truth and authenticity in storytelling.

A Journey to New York and Beyond

Jephte’s pursuit of his passion led him to New York in the 1990s, where he studied theater despite his parents’ wishes for him to become a lawyer. This decision marked the beginning of his independent journey. He worked tirelessly to pay for his education, immersing himself in the arts and honing his craft. After returning to Montreal, Jephte faced the harsh realities of the film industry. Despite his talent, opportunities were scarce, especially for a Black filmmaker in the 90s. Determined to tell his own stories, Jephte enrolled in film school, where he began to develop his unique voice.

Breaking Barriers in Filmmaking

Jephte’s career is marked by a series of groundbreaking projects. One of his early successes was editing a music video for the song “Due to the Interest” by Garou. Despite the director’s inexperience, Jephte stepped in to manage the set, ensuring the project’s success. The video became a buzz clip, earning praise from industry heavyweights like Luc Plamondon. However, Jephte’s refusal to accept a $2,000 bonus from the director highlighted his commitment to integrity over financial gain.

In 2003, Jephte produced Haiti Through My Eye,” a docu-series that showcased Haiti’s rich culture and history. The project was a critical success and opened doors for future opportunities, including funding for his feature film Exit 67.” Despite the challenges of securing funding and navigating the industry’s systemic barriers, Jephte remained steadfast in his mission to tell authentic stories.

The Draft: A Powerful Vision

One of Jephte’s most ambitious projects is The Draft,” a film about a young Black hockey player whose dreams are shattered by a brutal act of racism. The story follows his journey as he mentors his younger brother, offering a new paradigm for success. Jephte describes “The Draft” as the most powerful film he has ever written, a project that challenges the status quo and highlights the resilience of marginalized communities.

However, the production of “The Draft” was not without its challenges. Jephte faced significant obstacles, including interference from unions and a lack of support from industry institutions, except Telefilm and Harold Greenberg Fund, who supported the project from the beginning. Despite these hurdles, he remained committed to the project, pouring his own resources and energy into bringing his vision to life.

The Struggles of an Independent Filmmaker

Jephte’s experiences shed light on the difficulties faced by independent filmmakers, particularly those from underrepresented communities. In Canada, the film industry is heavily reliant on government funding, which often comes with strict quotas and limitations. Jephte has faced numerous rejections and setbacks, including being blacklisted by medias after an interview. Despite these challenges, he continues to create, driven by his passion for storytelling and his desire to challenge societal norms.

A Legacy of Resilience

Jephte Bastien’s journey is a testament to the power of perseverance and creativity. From his early days in Haiti to his groundbreaking work in film, he has remained true to his vision, using his art to challenge stereotypes and inspire change. As he continues to work on “The Draft” and other projects, Jephte’s legacy serves as a reminder of the importance of representation and the enduring power of storytelling.

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Jephte Bastien: The Visionary Filmmaker Behind Exit 67 and The Draft

Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.

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Jephte Bastien, the award-winning filmmaker renowned for his gripping storytelling and raw cinematic style, is set to captivate audiences once again with his upcoming film, The Draft. Best known for his debut feature film Exit 67, which garnered critical acclaim and won numerous awards, Bastien has established himself as a powerful voice in the world of cinema.

From Haiti to Canada: A Unique Perspective

Born in Haiti and raised in Canada, Jephte Bastien brings a unique perspective to his work, combining the rich cultural heritage of his homeland with the multicultural influences of his upbringing in Montreal. This blend of experiences has given Bastien a distinctive voice in filmmaking, allowing him to explore complex themes of identity, belonging, and the immigrant experience with authenticity and nuance.

Breaking Ground with Exit 67

Bastien burst onto the scene with his first feature film, Exit 67. Released in 2010, the film tells the story of a young man named Jecko, who is caught between the world of street gangs and his desire for a better life. Drawing from his own experiences and the reality of many young immigrants in Montreal, Bastien crafted a gripping narrative that resonated deeply with audiences and critics alike. The film’s success earned Bastien a Genie Award, cementing his status as a filmmaker to watch.

The Draft: A New Chapter

With his latest project, The Draft, Bastien is poised to once again capture the imagination of viewers. While details about the plot remain under wraps, the film promises to explore themes of power, corruption, and the human condition—elements that have become hallmarks of Bastien’s work. Set against a backdrop of political intrigue and moral dilemmas, The Draft is expected to be another compelling addition to Bastien’s filmography.

A Filmmaker with a Mission

Beyond his artistic achievements, Jephte Bastien is a filmmaker with a mission. He aims to tell stories that reflect the realities of marginalized communities and challenge societal norms. His films often delve into difficult subjects, shedding light on issues such as crime, poverty, and the immigrant experience, all while maintaining a deep sense of humanity and hope.

Looking Ahead

As Jephte Bastien prepares for the release of The Draft, anticipation is building among fans and critics alike. With his track record of compelling storytelling and his commitment to exploring important social issues, Bastien is sure to deliver another thought-provoking film that will leave a lasting impact.

Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.

https://www.imdb.com/title/tt19799652

https://www.imdb.com/name/nm3904454

https://www.instagram.com/the_draft_movie

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“Spark Davidson: The Visionary Behind Montreal’s R&B Revolution”

THIS IS THE TRUE STORY OF SPARK AND HIS HUSTLE THAT NEVER STOPS AND NEVER SLEEPS AS HIS DREAMS BECOME REALITIES AND HAVE ALWAYS BEEN THE BIGGEST HE CAN IMAGINE.

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Spark Davidson, a Montreal-based artist, has made significant contributions to the music industry since launching his professional career in 1995. At the age of 28, Spark began managing multiple music groups, including his own R&B ensemble, “Portfolio,” featuring three of Montreal’s most talented vocalists: Alan Prater, Chris Millington, and Danny Blanco. With his keen eye for talent and innovative management style, Spark quickly established Portfolio as a powerhouse in the R&B scene. Within a year, the group achieved remarkable success, consistently selling out performances and captivating audiences with their soulful harmonies and dynamic stage presence.

Spark’s strategic negotiations for Portfolio’s publishing and recording contracts in both Montreal and Los Angeles further solidified his reputation as a savvy music industry professional. His efforts culminated in the launch of his own music production label, “4indamorning,” which rapidly became a household name in Montreal. Under his guidance, “4indamorning” emerged as a pivotal force in the local music scene, known for its distinctive sound and dedication to nurturing emerging talent.

Beyond his work with Portfolio, Spark Davidson’s influence extended throughout Montreal’s music community. His commitment to innovation and excellence helped elevate the city’s R&B and hip-hop genres, setting a high standard for artistic expression and collaboration. Spark’s ability to fuse traditional R&B elements with contemporary influences showcased his versatility and deep understanding of the evolving music landscape.

Spark’s impact on the music industry is a testament to his passion, creativity, and determination. As a manager, producer, and artist, he has left an indelible mark on Montreal’s music scene, inspiring a new generation of musicians and contributing to the city’s vibrant cultural tapestry. His journey from a rising artist to a respected industry leader is a remarkable achievement, reflecting his dedication to music and his unwavering pursuit of artistic excellence.

His latest music project IT’S ABOUT TIME -DA 4AM MIXTAPE ALBUM is available NOW

https://www.4indamorning.com

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