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ALBERT CHAMBERS

Albert Chambers was raised in a little town called Lachenaie (east of Montreal). From co-hosting a Local Montreal T.V. show called Rock Stage, to Record Retail in N.Y.C. and Montreal, for the past ten years He has been running and operating a rehearsal studio called ‘Studio Base Bin’ in Montreal. Albert created Sweet Albi Productions for independent and signed acts.

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TVM: Tell us a bit about yourself and how you got started in the music industry.

Well how I got started I mean my father was a b-bop, r&b singer back in the 50s to 60s and so I grew up knowing my father for always being on the road. When I was 6, he retired from show business. My great-grandfather on my mom’s side used to build pianos for Willis Piano’s in St-Therese, my grandfather played violin and piano, my grandmother on my mother’s side also played piano so, like, everybody was pretty musically inclined. By the time I was maybe 14, I think that’s when I bought my first guitar and that’s when I started taking lessons. I started playing shows when I was 14, maybe 15 years old. That was probably my first show at a high school, and I literally still have the contract. Probably got paid like 175$ to do the whole gig, half of it probably went into renting all the gear, but you know it was my first experience of playing in front of people. So I never really did anything else in my life besides music. I even moved to New York at one point when I was in my 20s, and worked in music retail, record retail, while I was there, as well as co-writing with somebody that was down there. I eventually ended up coming back to Montreal, continued to play live, at clubs, bars. So I met Karl Wolf and started playing with him, he was starting his solo career, and we were doing “Africa” and all that. I was there for the ride.

TVM: What motivated you to open Base Bin Studio?

I had gotten a job at Steve’s music store, I worked there for probably like 6 years, and I was part management at the end, and that was my second home. It took a lot of my energy and self-esteem just working with music instrument retail, it just wasn’t satisfying. So I just went in one day, and I punched my card on a Saturday and walked back home and that was it. I started to think of what else I wanted to do and I thought of opening up a fully equipped

ehearsal studio. With all the contacts I had over the years working at Steve’s, I was sure that I would have a clientele pretty fast. Within 6 months I had written my business plan, presented my business plan, and it wasn’t a year later that I was starting to build the studios, which was my first location on 55 Pine Avenue, east, corner of St-Laurent. I ended up moving to this building, been here about 15 years but I’ve had the studios just over 17 years now and the rehearsal studios have brought me the opportunity to continue to get back to my creative side which I love. 

TVM: Talking about the creative side of music, can you give us some tips on how to record vocalists?

A lot of people ask me for tips on how to record vocalists, and um I think the most important thing that’s always lacking is the communication and the people skills that you have to have before the even go into the booth. If somebody is nervous, they are going to start tightening up. If you tighten up, your vocal cords tighten up; everything just like sounds like it’s in a box. When someone is totally relaxed and totally open and it’s sort of like when someone does a complete free open laugh- its loud and you hear it. I’ve had artists at times come in, where let’s say for example we were tracking a vocalist and a backup vocalist would come in and we would ask, how are you doing today? And the vocalist would answer “Great” but we would say “this is a really sad song”, we don’t need you to be great. We need you to be in that zone you know. I’m saying they have to be comfortable enough to be open with you, whether it’s a sad song or a happy song. They have to go to that place that’s extremely personal, that they usually wouldn’t let anyone else in. I have to make them feel comfortable enough to share that with me, and to share that emotion. I’ve had vocalists sing a line and be so touched by the line they are singing that they literally break down and drop to their knees in the studio. That’s when I know I’ve accomplished my job, bringing them to that level, because they never thought they would be able to bring themselves to that point of emotion and being able to define it in song.

TVM: So that’s definitely part of the creative process. How do you help vocalists find their creative voice when they walk into the studio?

Well everybody is different. There are some singers that have more experience than others. Those are the singers that sometimes you almost have to hold back from giving too much. Whereas some singers have so many chops, their technique is so advanced that they forget about the melody. Those are the sort of singers that you have to hold back and then when u get something from them it’s like spectacular, it’s unbelievable. Coral Egan was a singer I worked with that was exactly like that. If you let her go, the technique would overrule the melody. I often tell people also that it’s important to not sing in the key of the song-singing in the key of a progression is a lot different than singing a melody to a progression. You have to be able to separate the melody from the chord progression. So that means not always following the tonics, which are in that chord progression. That’s kind of the easy way out and that means that if somebody is strumming a chords progression, every time the chord strums down you are singing on that down beat. That’s kind of something you want to get away from. More experienced singers don’t have a problem with that, but less experienced singers I have to sort of give them a certain task, and sort of concentrate on that certain task. So if they’re singing, the most important thing I’m going to do, especially for a less experienced singer in the booth, is let them sing the one verse for example, maybe 10 times. Let them find their voice. The more comfortable they get with me, the more I might throw a couple things at a time. 

TVM: What should vocalists expect when walking into your recording studio? How should they be prepared beforehand?

Well, if the song has been written or produced by me and arranged, they usually have tracks that they can actually rehearse with. I usually give them what’s called a “ghost lead” for them to practice-it almost like practicing a cover song. So they work with their vocal coaches before coming into the studio so they are a little bit more prepared when they walk into the room here. Now that being said, I prefer them to come in knowing all the words, not looking at a lyric sheet,  because If you can’t remember the words then you can’t remember the emotion that you’re trying to deliver. So being prepared beforehand, whether you’re practicing on your own or whether you’re practicing with a vocal coach, is always a plus. 

TVM: You were saying before that you have worked with Karl Wolf-Who else have you worked with, have you collaborated with?

Well lately, well the latest album for Coral Egan that’s coming out, uh that’s out right now, it’s called The Year You Drove Me Crazy, I co-wrote that record, and I was just hired recently to actually re-record, a French musical called “Don Juan”, so Corey Hart actually had the pleasure of re-writing all the lyrics to that musical in English. 

TVM: Based on all of these experiences, tell us what makes a vocalist easy to work with, vs. difficult to work with

It’s very simple; some vocalists are just easier to work with because there’s a trust factor I guess? The vocalists that I would consider “easy” are vocalists that are open to trying things, without fighting you on every suggestion. And then there are vocalists that are so used to doing their own thing and self-producing themselves that those are the vocalists that, after a while, you just can’t fight them. So, even if it’s a vocalist that’s pitchy, and out of tune, I have more fun with somebody like that, at times, that’s willing to try things, as opposed to somebody that has all the technique in  the world and just fights you on every, you know, vocal melody. 

TVM: What do you personally expect vocalists to take away from their recording experience?

I want them to leave here feeling like they had fun. Yeah. I want them to feel like it was an experience and they learned something. I want to be able to give and to take, and I want to be able to learn things from the singers in the booth, and they can show me something that’s either like a vocal technique they have, the way they sing, the way they approach the mic, and that makes my day. So it’s a give and take, but I think overall I just think that I want them to say that “Albert was super open” and “I learnt a lot” and above all, “I had so much fun”….”we laughed a lot”.

TVM: Finally, do you have tips to share on the recording process? Maybe how to act, how to ease any nerves? 

Uh, you know what- the most important thing to do before you come into the studio is to make sure that you warm up. So if you have a vocal coach of some sort, um, try to learn some vocal techniques to warm up your vocal cords, so when you come in you’re not feeling like your range is limited just because you haven’t actually used those vocal cord muscles for the whole morning. If you don’t have a vocal coach, YouTube is your best friend. There’s like, hundreds and hundreds of vocal coaches giving free advice on how to do vocal exercises or just to warm up before either going to a recording studio or performing live. Come in with a good attitude, and you know, come in with a positive attitude. I mean I think that will just make for the session to be a lot of fun. So they need to come in here and feel like “wow, this is what I want to do for a living because I love doing this”, and it’s got to be fun

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“Jephte Bastien: Crafting Cinema, Challenging Norms, and Championing Authentic Stories”

Jephte Bastien, a multifaceted director, producer, creator, and editor, has carved a unique path in the film industry. From his humble beginnings in Haiti to his groundbreaking work in cinema, Jephte’s journey is a testament to resilience, creativity, and an unyielding passion for storytelling. In a recent interview, Jephte shared insights into his life, inspirations, and the challenges he has faced as a filmmaker.

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Early Beginnings: A Childhood of Creativity

Jephte’s love for storytelling began in his childhood. Growing up in Haiti, he would cut out paper silhouettes, align them with thread, and use a flashlight to project characters onto a makeshift screen. This early form of shadow puppetry allowed him to mimic voices and create stories, laying the foundation for his future in filmmaking. Music also played a significant role in his upbringing. As the seventh of nine boys in a large Christian family, Jephte started singing in church at the age of five. His family’s tradition of entertaining one another—through poetry, singing, and dancing—fostered his creative spirit.

Haiti: A Source of Inspiration

Haiti holds a special place in Jephte’s heart. Despite the media’s often negative portrayal of the country, Jephte describes it as a paradise filled with vibrant culture, music, and natural beauty. His early memories of Haiti are filled with joy—playing games, eating mangoes straight from the trees, and forming lifelong friendships. When his family moved to Canada, Jephte struggled with homesickness and depression. Haiti became a recurring theme in his dreams, a place he would revisit mentally to find solace and inspiration. Even as an adult, he traveled back to Haiti frequently, using the trips to rejuvenate his creative energy.

The Church and Early Questions

Growing up in a religious household, Jephte was deeply involved in the church. However, he began to question the narratives he was taught, particularly the lack of representation of Black people in religious imagery. These early questions about identity and representation would later influence his work as a filmmaker. Jephte’s departure from the church was not a rejection of faith but a search for truth and authenticity in storytelling.

A Journey to New York and Beyond

Jephte’s pursuit of his passion led him to New York in the 1990s, where he studied theater despite his parents’ wishes for him to become a lawyer. This decision marked the beginning of his independent journey. He worked tirelessly to pay for his education, immersing himself in the arts and honing his craft. After returning to Montreal, Jephte faced the harsh realities of the film industry. Despite his talent, opportunities were scarce, especially for a Black filmmaker in the 90s. Determined to tell his own stories, Jephte enrolled in film school, where he began to develop his unique voice.

Breaking Barriers in Filmmaking

Jephte’s career is marked by a series of groundbreaking projects. One of his early successes was editing a music video for the song “Due to the Interest” by Garou. Despite the director’s inexperience, Jephte stepped in to manage the set, ensuring the project’s success. The video became a buzz clip, earning praise from industry heavyweights like Luc Plamondon. However, Jephte’s refusal to accept a $2,000 bonus from the director highlighted his commitment to integrity over financial gain.

In 2003, Jephte produced Haiti Through My Eye,” a docu-series that showcased Haiti’s rich culture and history. The project was a critical success and opened doors for future opportunities, including funding for his feature film Exit 67.” Despite the challenges of securing funding and navigating the industry’s systemic barriers, Jephte remained steadfast in his mission to tell authentic stories.

The Draft: A Powerful Vision

One of Jephte’s most ambitious projects is The Draft,” a film about a young Black hockey player whose dreams are shattered by a brutal act of racism. The story follows his journey as he mentors his younger brother, offering a new paradigm for success. Jephte describes “The Draft” as the most powerful film he has ever written, a project that challenges the status quo and highlights the resilience of marginalized communities.

However, the production of “The Draft” was not without its challenges. Jephte faced significant obstacles, including interference from unions and a lack of support from industry institutions, except Telefilm and Harold Greenberg Fund, who supported the project from the beginning. Despite these hurdles, he remained committed to the project, pouring his own resources and energy into bringing his vision to life.

The Struggles of an Independent Filmmaker

Jephte’s experiences shed light on the difficulties faced by independent filmmakers, particularly those from underrepresented communities. In Canada, the film industry is heavily reliant on government funding, which often comes with strict quotas and limitations. Jephte has faced numerous rejections and setbacks, including being blacklisted by medias after an interview. Despite these challenges, he continues to create, driven by his passion for storytelling and his desire to challenge societal norms.

A Legacy of Resilience

Jephte Bastien’s journey is a testament to the power of perseverance and creativity. From his early days in Haiti to his groundbreaking work in film, he has remained true to his vision, using his art to challenge stereotypes and inspire change. As he continues to work on “The Draft” and other projects, Jephte’s legacy serves as a reminder of the importance of representation and the enduring power of storytelling.

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Jephte Bastien: The Visionary Filmmaker Behind Exit 67 and The Draft

Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.

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Jephte Bastien, the award-winning filmmaker renowned for his gripping storytelling and raw cinematic style, is set to captivate audiences once again with his upcoming film, The Draft. Best known for his debut feature film Exit 67, which garnered critical acclaim and won numerous awards, Bastien has established himself as a powerful voice in the world of cinema.

From Haiti to Canada: A Unique Perspective

Born in Haiti and raised in Canada, Jephte Bastien brings a unique perspective to his work, combining the rich cultural heritage of his homeland with the multicultural influences of his upbringing in Montreal. This blend of experiences has given Bastien a distinctive voice in filmmaking, allowing him to explore complex themes of identity, belonging, and the immigrant experience with authenticity and nuance.

Breaking Ground with Exit 67

Bastien burst onto the scene with his first feature film, Exit 67. Released in 2010, the film tells the story of a young man named Jecko, who is caught between the world of street gangs and his desire for a better life. Drawing from his own experiences and the reality of many young immigrants in Montreal, Bastien crafted a gripping narrative that resonated deeply with audiences and critics alike. The film’s success earned Bastien a Genie Award, cementing his status as a filmmaker to watch.

The Draft: A New Chapter

With his latest project, The Draft, Bastien is poised to once again capture the imagination of viewers. While details about the plot remain under wraps, the film promises to explore themes of power, corruption, and the human condition—elements that have become hallmarks of Bastien’s work. Set against a backdrop of political intrigue and moral dilemmas, The Draft is expected to be another compelling addition to Bastien’s filmography.

A Filmmaker with a Mission

Beyond his artistic achievements, Jephte Bastien is a filmmaker with a mission. He aims to tell stories that reflect the realities of marginalized communities and challenge societal norms. His films often delve into difficult subjects, shedding light on issues such as crime, poverty, and the immigrant experience, all while maintaining a deep sense of humanity and hope.

Looking Ahead

As Jephte Bastien prepares for the release of The Draft, anticipation is building among fans and critics alike. With his track record of compelling storytelling and his commitment to exploring important social issues, Bastien is sure to deliver another thought-provoking film that will leave a lasting impact.

Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.

https://www.imdb.com/title/tt19799652

https://www.imdb.com/name/nm3904454

https://www.instagram.com/the_draft_movie

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“Spark Davidson: The Visionary Behind Montreal’s R&B Revolution”

THIS IS THE TRUE STORY OF SPARK AND HIS HUSTLE THAT NEVER STOPS AND NEVER SLEEPS AS HIS DREAMS BECOME REALITIES AND HAVE ALWAYS BEEN THE BIGGEST HE CAN IMAGINE.

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Spark Davidson, a Montreal-based artist, has made significant contributions to the music industry since launching his professional career in 1995. At the age of 28, Spark began managing multiple music groups, including his own R&B ensemble, “Portfolio,” featuring three of Montreal’s most talented vocalists: Alan Prater, Chris Millington, and Danny Blanco. With his keen eye for talent and innovative management style, Spark quickly established Portfolio as a powerhouse in the R&B scene. Within a year, the group achieved remarkable success, consistently selling out performances and captivating audiences with their soulful harmonies and dynamic stage presence.

Spark’s strategic negotiations for Portfolio’s publishing and recording contracts in both Montreal and Los Angeles further solidified his reputation as a savvy music industry professional. His efforts culminated in the launch of his own music production label, “4indamorning,” which rapidly became a household name in Montreal. Under his guidance, “4indamorning” emerged as a pivotal force in the local music scene, known for its distinctive sound and dedication to nurturing emerging talent.

Beyond his work with Portfolio, Spark Davidson’s influence extended throughout Montreal’s music community. His commitment to innovation and excellence helped elevate the city’s R&B and hip-hop genres, setting a high standard for artistic expression and collaboration. Spark’s ability to fuse traditional R&B elements with contemporary influences showcased his versatility and deep understanding of the evolving music landscape.

Spark’s impact on the music industry is a testament to his passion, creativity, and determination. As a manager, producer, and artist, he has left an indelible mark on Montreal’s music scene, inspiring a new generation of musicians and contributing to the city’s vibrant cultural tapestry. His journey from a rising artist to a respected industry leader is a remarkable achievement, reflecting his dedication to music and his unwavering pursuit of artistic excellence.

His latest music project IT’S ABOUT TIME -DA 4AM MIXTAPE ALBUM is available NOW

https://www.4indamorning.com

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