Connect with us
google.com, pub-7457575790012787, DIRECT, f08c47fec0942fa0

Business

Falsetto: The enduring love affair with the soaring male voice.

Falsetto is an extension of our normal voices that we use every day — beyond the voices we use in all those Zoom meetings of late. The word falsetto refers to a “false” voice, so called because the voice uses only part of the vocal apparatus in our throats, rather than the full vibratory sound used in regular singing and speaking.

Published

on

By Helen Pridmore – Associate Professor of Music, University of Regina

The documentary The Bee Gees: How Can You Mend a Broken Heart, which premiered on HBO in December, explores the musical significance of the group and is interwoven with performance footage.

What kind of sound do these singers share? And what on Earth do they have in common with the Monty Python comedians in sketches where they portray women?

All these artists use the falsetto voice, a specialized sound that features amazing high notes. Falsetto is associated particularly with the male voice singing in the range normally used by women and children.

Historically, perhaps most famously, beautiful high notes are often associated with opera roles originally written for a particular group of male singers known as “castrati,” who were castrated. Today, opera roles originally written for castrati are sung by countertenors. These singers go beyond the higher “normal” range associated with the tenor voice while singing in falsetto.

Of course, beyond these classically based countertenor singers, the falsetto sound is heard in innumerable beloved pop singers. While standout artists have learned to develop their voices into something quite fascinating, anyone can find a falsetto sound.HBO trailer for Bee Gees documentary, ‘How Can You Mend a Broken Heart.’

‘False’ voice

Falsetto is an extension of our normal voices that we use every day — beyond the voices we use in all those Zoom meetings of late. The word falsetto refers to a “false” voice, so called because the voice uses only part of the vocal apparatus in our throats, rather than the full vibratory sound used in regular singing and speaking.

The normal vocal sounds we make are created by the vibrations of our vocal folds (or vocal cords). These tiny folds are controlled by an intricate system of muscles and cartilage in the throat.

The vocal folds function basically by the rate of air movement, or pressure, from the lungs. With more air pressure, the folds will vibrate more quickly and will produce a higher pitch. Less air, and the pitch will be lower. You can feel the vibrations for yourself if you say or sing “ooh,” thinking of a lower pitch, while placing a hand on your throat.

But if you use only the edges of the vocal folds, without allowing the whole mechanism to vibrate, then you can achieve that high, floaty sound that is your “false” voice — your falsetto.

Falsetto in classical music

The falsetto sound can still be heard in various forms of classical music — a vestige of the ban on women performers in earlier centuries. The traditional English church choir includes men singing in their falsettos to provide the alto line in hymns and anthems. (The soprano line was sung by boys, not women.)

In some classical music, as in the perennial December favourite, Handel’s “Messiah,” a countertenor will sing the alto solos — more usually sung by a woman. Canada’s Daniel Taylor is one of the best countertenors in the world.

Today’s opera roles sung by countertenors were originally written for the castrati who were superstars in the 17th and 18th centuries. Castration caused a physical difference in the way these voices functioned — and in the body shape and size of the castrated men — but the resultant sound was much the same as today’s countertenor sound.

You can hear an attempted re-creation of the sound of a castrato, rendered by electronically fusing the voices of a female singer and a countertenor, in the 1994 movie Farinelli, a cinematic take on the great 18th-century castrato opera singer Farinelli (born Carlo Broschi).

The only aural record of a castrato is of nine recorded selections of castrato Alessandro Moreschi, believed to be the last singer of his kind.Scene from ‘Farinelli.’

Falsetto in popular music

Some scholars have explored falsetto sounds in Black popular and “soul” music including through genre-bending musical fusion.

Falsetto is found widely in popular music styles today from from The Weeknd and Justin Timberlake. If you listened to the concert celebrating Joe Biden’s presidential inauguration in the United States, you would have heard Timberlake singing “Better Days” with Ant Clemons. Timberlake’s naturally high voice works seamlessly into an effective falsetto sound.Justin Timberlake with Ant Clemons. Listen for Timberlake’s regular voice at about 3:40, then hear him switch into falsetto at 4:00.

Floating beauty

Is there a female falsetto voice? Yes! The process for making the sound is the same as in men. But because women’s voices are already higher, it’s harder to hear a different quality. You can hear it some singers, including Christina Aguilera.Christina Aguilera sometimes sings in falsetto. Her voice changes at about the one minute mark in this song from ‘Mulan.’

However, the allure of the falsetto voice remains more compelling in men than in women. Perhaps it is the attraction of the natural lower male voice contrasted with the high notes: maybe we are waiting for a crack or admiring the physical effort. Or perhaps we simply enjoy the floating beauty of the sound of high notes.

Whatever the reason, male high notes and the falsetto voice remain fascinating.

READ MORE`: https://theconversation.com/

Continue Reading

Business

“Jephte Bastien: Crafting Cinema, Challenging Norms, and Championing Authentic Stories”

Jephte Bastien, a multifaceted director, producer, creator, and editor, has carved a unique path in the film industry. From his humble beginnings in Haiti to his groundbreaking work in cinema, Jephte’s journey is a testament to resilience, creativity, and an unyielding passion for storytelling. In a recent interview, Jephte shared insights into his life, inspirations, and the challenges he has faced as a filmmaker.

Published

on

Early Beginnings: A Childhood of Creativity

Jephte’s love for storytelling began in his childhood. Growing up in Haiti, he would cut out paper silhouettes, align them with thread, and use a flashlight to project characters onto a makeshift screen. This early form of shadow puppetry allowed him to mimic voices and create stories, laying the foundation for his future in filmmaking. Music also played a significant role in his upbringing. As the seventh of nine boys in a large Christian family, Jephte started singing in church at the age of five. His family’s tradition of entertaining one another—through poetry, singing, and dancing—fostered his creative spirit.

Haiti: A Source of Inspiration

Haiti holds a special place in Jephte’s heart. Despite the media’s often negative portrayal of the country, Jephte describes it as a paradise filled with vibrant culture, music, and natural beauty. His early memories of Haiti are filled with joy—playing games, eating mangoes straight from the trees, and forming lifelong friendships. When his family moved to Canada, Jephte struggled with homesickness and depression. Haiti became a recurring theme in his dreams, a place he would revisit mentally to find solace and inspiration. Even as an adult, he traveled back to Haiti frequently, using the trips to rejuvenate his creative energy.

The Church and Early Questions

Growing up in a religious household, Jephte was deeply involved in the church. However, he began to question the narratives he was taught, particularly the lack of representation of Black people in religious imagery. These early questions about identity and representation would later influence his work as a filmmaker. Jephte’s departure from the church was not a rejection of faith but a search for truth and authenticity in storytelling.

A Journey to New York and Beyond

Jephte’s pursuit of his passion led him to New York in the 1990s, where he studied theater despite his parents’ wishes for him to become a lawyer. This decision marked the beginning of his independent journey. He worked tirelessly to pay for his education, immersing himself in the arts and honing his craft. After returning to Montreal, Jephte faced the harsh realities of the film industry. Despite his talent, opportunities were scarce, especially for a Black filmmaker in the 90s. Determined to tell his own stories, Jephte enrolled in film school, where he began to develop his unique voice.

Breaking Barriers in Filmmaking

Jephte’s career is marked by a series of groundbreaking projects. One of his early successes was editing a music video for the song “Due to the Interest” by Garou. Despite the director’s inexperience, Jephte stepped in to manage the set, ensuring the project’s success. The video became a buzz clip, earning praise from industry heavyweights like Luc Plamondon. However, Jephte’s refusal to accept a $2,000 bonus from the director highlighted his commitment to integrity over financial gain.

In 2003, Jephte produced Haiti Through My Eye,” a docu-series that showcased Haiti’s rich culture and history. The project was a critical success and opened doors for future opportunities, including funding for his feature film Exit 67.” Despite the challenges of securing funding and navigating the industry’s systemic barriers, Jephte remained steadfast in his mission to tell authentic stories.

The Draft: A Powerful Vision

One of Jephte’s most ambitious projects is The Draft,” a film about a young Black hockey player whose dreams are shattered by a brutal act of racism. The story follows his journey as he mentors his younger brother, offering a new paradigm for success. Jephte describes “The Draft” as the most powerful film he has ever written, a project that challenges the status quo and highlights the resilience of marginalized communities.

However, the production of “The Draft” was not without its challenges. Jephte faced significant obstacles, including interference from unions and a lack of support from industry institutions, except Telefilm and Harold Greenberg Fund, who supported the project from the beginning. Despite these hurdles, he remained committed to the project, pouring his own resources and energy into bringing his vision to life.

The Struggles of an Independent Filmmaker

Jephte’s experiences shed light on the difficulties faced by independent filmmakers, particularly those from underrepresented communities. In Canada, the film industry is heavily reliant on government funding, which often comes with strict quotas and limitations. Jephte has faced numerous rejections and setbacks, including being blacklisted by medias after an interview. Despite these challenges, he continues to create, driven by his passion for storytelling and his desire to challenge societal norms.

A Legacy of Resilience

Jephte Bastien’s journey is a testament to the power of perseverance and creativity. From his early days in Haiti to his groundbreaking work in film, he has remained true to his vision, using his art to challenge stereotypes and inspire change. As he continues to work on “The Draft” and other projects, Jephte’s legacy serves as a reminder of the importance of representation and the enduring power of storytelling.

Continue Reading

Business

Jephte Bastien: The Visionary Filmmaker Behind Exit 67 and The Draft

Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.

Published

on

Jephte Bastien, the award-winning filmmaker renowned for his gripping storytelling and raw cinematic style, is set to captivate audiences once again with his upcoming film, The Draft. Best known for his debut feature film Exit 67, which garnered critical acclaim and won numerous awards, Bastien has established himself as a powerful voice in the world of cinema.

From Haiti to Canada: A Unique Perspective

Born in Haiti and raised in Canada, Jephte Bastien brings a unique perspective to his work, combining the rich cultural heritage of his homeland with the multicultural influences of his upbringing in Montreal. This blend of experiences has given Bastien a distinctive voice in filmmaking, allowing him to explore complex themes of identity, belonging, and the immigrant experience with authenticity and nuance.

Breaking Ground with Exit 67

Bastien burst onto the scene with his first feature film, Exit 67. Released in 2010, the film tells the story of a young man named Jecko, who is caught between the world of street gangs and his desire for a better life. Drawing from his own experiences and the reality of many young immigrants in Montreal, Bastien crafted a gripping narrative that resonated deeply with audiences and critics alike. The film’s success earned Bastien a Genie Award, cementing his status as a filmmaker to watch.

The Draft: A New Chapter

With his latest project, The Draft, Bastien is poised to once again capture the imagination of viewers. While details about the plot remain under wraps, the film promises to explore themes of power, corruption, and the human condition—elements that have become hallmarks of Bastien’s work. Set against a backdrop of political intrigue and moral dilemmas, The Draft is expected to be another compelling addition to Bastien’s filmography.

A Filmmaker with a Mission

Beyond his artistic achievements, Jephte Bastien is a filmmaker with a mission. He aims to tell stories that reflect the realities of marginalized communities and challenge societal norms. His films often delve into difficult subjects, shedding light on issues such as crime, poverty, and the immigrant experience, all while maintaining a deep sense of humanity and hope.

Looking Ahead

As Jephte Bastien prepares for the release of The Draft, anticipation is building among fans and critics alike. With his track record of compelling storytelling and his commitment to exploring important social issues, Bastien is sure to deliver another thought-provoking film that will leave a lasting impact.

Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.

https://www.imdb.com/title/tt19799652

https://www.imdb.com/name/nm3904454

https://www.instagram.com/the_draft_movie

Continue Reading

Business

“Spark Davidson: The Visionary Behind Montreal’s R&B Revolution”

THIS IS THE TRUE STORY OF SPARK AND HIS HUSTLE THAT NEVER STOPS AND NEVER SLEEPS AS HIS DREAMS BECOME REALITIES AND HAVE ALWAYS BEEN THE BIGGEST HE CAN IMAGINE.

Published

on

Spark Davidson, a Montreal-based artist, has made significant contributions to the music industry since launching his professional career in 1995. At the age of 28, Spark began managing multiple music groups, including his own R&B ensemble, “Portfolio,” featuring three of Montreal’s most talented vocalists: Alan Prater, Chris Millington, and Danny Blanco. With his keen eye for talent and innovative management style, Spark quickly established Portfolio as a powerhouse in the R&B scene. Within a year, the group achieved remarkable success, consistently selling out performances and captivating audiences with their soulful harmonies and dynamic stage presence.

Spark’s strategic negotiations for Portfolio’s publishing and recording contracts in both Montreal and Los Angeles further solidified his reputation as a savvy music industry professional. His efforts culminated in the launch of his own music production label, “4indamorning,” which rapidly became a household name in Montreal. Under his guidance, “4indamorning” emerged as a pivotal force in the local music scene, known for its distinctive sound and dedication to nurturing emerging talent.

Beyond his work with Portfolio, Spark Davidson’s influence extended throughout Montreal’s music community. His commitment to innovation and excellence helped elevate the city’s R&B and hip-hop genres, setting a high standard for artistic expression and collaboration. Spark’s ability to fuse traditional R&B elements with contemporary influences showcased his versatility and deep understanding of the evolving music landscape.

Spark’s impact on the music industry is a testament to his passion, creativity, and determination. As a manager, producer, and artist, he has left an indelible mark on Montreal’s music scene, inspiring a new generation of musicians and contributing to the city’s vibrant cultural tapestry. His journey from a rising artist to a respected industry leader is a remarkable achievement, reflecting his dedication to music and his unwavering pursuit of artistic excellence.

His latest music project IT’S ABOUT TIME -DA 4AM MIXTAPE ALBUM is available NOW

https://www.4indamorning.com

Continue Reading

Trending