FESTIVAL DES NUITS D’AFRIQUE – AFRICAN CONNECTIONS
Festival des Nuits d’ Afrique was truly a blast; filled with African themes charming and enticing our senses with traditional dishes, folk music, dances, and a Timbuktu market. A line-up of incredible African musicians from all around the continent and it’s diaspora; was just the icing on the cake.
I had the privilege to sit down with a few artists that were on the roster. Femi Kuti, Nigerian virtuoso, son of the renowned Fela Kuti, Noubi Trio an eclectic group, and Diely Mori Tounkara Malian; to chat as they shared interesting insight into their world, their work, and values. The conversation started out with their overall outlook on the future of music as African artists, their inspirations, influences and great teachers they’ve had in their lives. All lead me to one conclusion. Though they were are all distinct and unique in their own way, they share similarities both in their ideologies and inspiration. The traditions of storytelling and the importance that is given to elders; through teaching and training younger generations into becoming expert.
I come from a family of Griots,“ says Mr. Tounkara. “The Griot, in other words, is a mediator; they are storytellers. Long before history was written, the Griots were the guardians of our history.” He went on to express about the need to learn from others and his experience as an apprentice of the Kora instrument. Tounkara describes the instrument as “A mystical instrument the ancestor of the Harp.” Kora is a traditional instrument made from Calabash a hard shell inedible fruit in the family of squash used for artifacts. The instrument is constituted with fishing threads hardwood and cowhide. The sound is closest to the harp having 21 strings. Oftentimes people believe that African music is only to dance to. Back home we make music for all occasions. We make music to relax, to forget about our problems to unite one another to celebrate… for me, the Kora changed a lot of musical genera.”
Moving the conversation to the trio group Noubi one of the members talked about his experiences traveling with fellow musicians and his instrument The Cajón. The Cajon he explained is a part of his history as an African. During slavery in Peru, Afro Peruvians used boxes that they worked with, in the fields to pick vegetables and fruits. These same boxes were reused after work by the enslaved to make music to remind them of their countries and traditions. “Initially, we just wanted to create a more intimate setting for our audience” explains Noubi Trio member. “The Cajón was the element we found to be the most fitting to replace the drums and percussion to create that intimate atmosphere. The history behind the Cajón strengthens my connection to the instrument. However, It’s a challenge for me to bring it back to its origins. The Cajón is used in Peru and Spain in flamenco not so much in Africa. So therein lies our challenge educating Africans and to show them that the Cajon is theirs.”
These artists were influenced by their elders and the elders before them. Femi Kuti son of Fela Kuti, for instance, followed a specific path and ideology set by his father that he shares today with his nine children and the community. He opened an entertainment center located in Nigeria The New Afrika Shrine; to bring an awareness of their history and conditioning in hopes to break the mental and physical chains that are binding the community. The New Afrika Shrine values art, expression, emancipation, and activism. “ It has been the focal point to fighting corruption and injustice.” Each of his albums released defended his idea that Africans need to educate and emancipate themselves”. expresses Mr. Kuti “It’s a venue that stands liberated. I try to make people understand that it’s not about money; it’s about us spreading the message against oppression. To enlighten people who do not know about Malcolm X, or Martin Luther King, Marcus Garvey, Patrice Lumumba, and my father. The New Afrika Shrine was built to honor great people who have fought for the emancipation of Africa. “
“Africa for Africa is an organization that educates Africans about the importance of telling their stories.” Says Femi Kuti “To believe in themselves and understand that the continent, the African countries are colonial names. All these borders are put there to just divide us. We need to work around this or else we will continue to fight one another. The francophone or the Anglophone countries find it very difficult to agree we have to understand these are colonial structures and we need to love and care for Africa. We need to understand that war will never solve our problems, and we need to stop all these internal fights that we have there.”
“My song No place for my dream , is about great people who had the same visions, who were either killed or silenced. People were warning and advise me of my content, asking why am I going through this if the same thing could happen to me and that there was no point. In the song, I am saying that I still have to strive and continue because I believe in this. One people, One world today is where my mind is. I believe we all need to understand we are on one planet, and if we don’t understand this we are all going to be in trouble, as we see with climate change , and if we don’t understand that at the end of the day we are all one people, we are going to be in some serious problem. So this album is to bring the world together to understand we are all one.”
Some parts of Nigeria is in critical political conditions such in the city of Maiduguri, located in North East Nigeria with the Boko Haram atrocities. So many children have lost their parents they are malnourished and helpless. So my job is to enlighten people about their plight and see if we could get more donations to help them, and as a UNICEF’s spokesperson for those children, I can do that. By speaking up on their behalf’s, defending them and their rights. Despite the realization of the chaos and a fragmented history, these artists continues to advocate and tell their stories through their music in hopes to bring an awareness to the world. For this movement to persist and take its place, we must continue to be inclusive recognizing the struggles, because the idea of Afro-futurism is a future based on values that have been neglected and judged as primitive. Each musician’s greatest hope is to one day live in peace; where people will understand that oppression and, corruption has to stop. They believe that there is light at the end of the tunnel and will continue to shed that light through their music.
“Jephte Bastien: Crafting Cinema, Challenging Norms, and Championing Authentic Stories”
Jephte Bastien, a multifaceted director, producer, creator, and editor, has carved a unique path in the film industry. From his humble beginnings in Haiti to his groundbreaking work in cinema, Jephte’s journey is a testament to resilience, creativity, and an unyielding passion for storytelling. In a recent interview, Jephte shared insights into his life, inspirations, and the challenges he has faced as a filmmaker.
Jephte’s love for storytelling began in his childhood. Growing up in Haiti, he would cut out paper silhouettes, align them with thread, and use a flashlight to project characters onto a makeshift screen. This early form of shadow puppetry allowed him to mimic voices and create stories, laying the foundation for his future in filmmaking. Music also played a significant role in his upbringing. As the seventh of nine boys in a large Christian family, Jephte started singing in church at the age of five. His family’s tradition of entertaining one another—through poetry, singing, and dancing—fostered his creative spirit.
Haiti: A Source of Inspiration
Haiti holds a special place in Jephte’s heart. Despite the media’s often negative portrayal of the country, Jephte describes it as a paradise filled with vibrant culture, music, and natural beauty. His early memories of Haiti are filled with joy—playing games, eating mangoes straight from the trees, and forming lifelong friendships. When his family moved to Canada, Jephte struggled with homesickness and depression. Haiti became a recurring theme in his dreams, a place he would revisit mentally to find solace and inspiration. Even as an adult, he traveled back to Haiti frequently, using the trips to rejuvenate his creative energy.
The Church and Early Questions
Growing up in a religious household, Jephte was deeply involved in the church. However, he began to question the narratives he was taught, particularly the lack of representation of Black people in religious imagery. These early questions about identity and representation would later influence his work as a filmmaker. Jephte’s departure from the church was not a rejection of faith but a search for truth and authenticity in storytelling.
A Journey to New York and Beyond
Jephte’s pursuit of his passion led him to New York in the 1990s, where he studied theater despite his parents’ wishes for him to become a lawyer. This decision marked the beginning of his independent journey. He worked tirelessly to pay for his education, immersing himself in the arts and honing his craft. After returning to Montreal, Jephte faced the harsh realities of the film industry. Despite his talent, opportunities were scarce, especially for a Black filmmaker in the 90s. Determined to tell his own stories, Jephte enrolled in film school, where he began to develop his unique voice.
Breaking Barriers in Filmmaking
Jephte’s career is marked by a series of groundbreaking projects. One of his early successes was editing a music video for the song “Due to the Interest” by Garou. Despite the director’s inexperience, Jephte stepped in to manage the set, ensuring the project’s success. The video became a buzz clip, earning praise from industry heavyweights like Luc Plamondon. However, Jephte’s refusal to accept a $2,000 bonus from the director highlighted his commitment to integrity over financial gain.
In 2003, Jephte produced “Haiti Through My Eye,” a docu-series that showcased Haiti’s rich culture and history. The project was a critical success and opened doors for future opportunities, including funding for his feature film “Exit 67.” Despite the challenges of securing funding and navigating the industry’s systemic barriers, Jephte remained steadfast in his mission to tell authentic stories.
The Draft: A Powerful Vision
One of Jephte’s most ambitious projects is “The Draft,” a film about a young Black hockey player whose dreams are shattered by a brutal act of racism. The story follows his journey as he mentors his younger brother, offering a new paradigm for success. Jephte describes “The Draft” as the most powerful film he has ever written, a project that challenges the status quo and highlights the resilience of marginalized communities.
However, the production of “The Draft” was not without its challenges. Jephte faced significant obstacles, including interference from unions and a lack of support from industry institutions, except Telefilm and Harold Greenberg Fund, who supported the project from the beginning. Despite these hurdles, he remained committed to the project, pouring his own resources and energy into bringing his vision to life.
The Struggles of an Independent Filmmaker
Jephte’s experiences shed light on the difficulties faced by independent filmmakers, particularly those from underrepresented communities. In Canada, the film industry is heavily reliant on government funding, which often comes with strict quotas and limitations. Jephte has faced numerous rejections and setbacks, including being blacklisted by medias after an interview. Despite these challenges, he continues to create, driven by his passion for storytelling and his desire to challenge societal norms.
A Legacy of Resilience
Jephte Bastien’s journey is a testament to the power of perseverance and creativity. From his early days in Haiti to his groundbreaking work in film, he has remained true to his vision, using his art to challenge stereotypes and inspire change. As he continues to work on “The Draft” and other projects, Jephte’s legacy serves as a reminder of the importance of representation and the enduring power of storytelling.
Jephte Bastien: The Visionary Filmmaker Behind Exit 67 and The Draft
Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.
Jephte Bastien, the award-winning filmmaker renowned for his gripping storytelling and raw cinematic style, is set to captivate audiences once again with his upcoming film, The Draft. Best known for his debut feature film Exit 67, which garnered critical acclaim and won numerous awards, Bastien has established himself as a powerful voice in the world of cinema.
From Haiti to Canada: A Unique Perspective
Born in Haiti and raised in Canada, Jephte Bastien brings a unique perspective to his work, combining the rich cultural heritage of his homeland with the multicultural influences of his upbringing in Montreal. This blend of experiences has given Bastien a distinctive voice in filmmaking, allowing him to explore complex themes of identity, belonging, and the immigrant experience with authenticity and nuance.
Breaking Ground with Exit 67
Bastien burst onto the scene with his first feature film, Exit 67. Released in 2010, the film tells the story of a young man named Jecko, who is caught between the world of street gangs and his desire for a better life. Drawing from his own experiences and the reality of many young immigrants in Montreal, Bastien crafted a gripping narrative that resonated deeply with audiences and critics alike. The film’s success earned Bastien a Genie Award, cementing his status as a filmmaker to watch.
The Draft: A New Chapter
With his latest project, The Draft, Bastien is poised to once again capture the imagination of viewers. While details about the plot remain under wraps, the film promises to explore themes of power, corruption, and the human condition—elements that have become hallmarks of Bastien’s work. Set against a backdrop of political intrigue and moral dilemmas, The Draft is expected to be another compelling addition to Bastien’s filmography.
A Filmmaker with a Mission
Beyond his artistic achievements, Jephte Bastien is a filmmaker with a mission. He aims to tell stories that reflect the realities of marginalized communities and challenge societal norms. His films often delve into difficult subjects, shedding light on issues such as crime, poverty, and the immigrant experience, all while maintaining a deep sense of humanity and hope.
Looking Ahead
As Jephte Bastien prepares for the release of The Draft, anticipation is building among fans and critics alike. With his track record of compelling storytelling and his commitment to exploring important social issues, Bastien is sure to deliver another thought-provoking film that will leave a lasting impact.
Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.
“Spark Davidson: The Visionary Behind Montreal’s R&B Revolution”
THIS IS THE TRUE STORY OF SPARK AND HIS HUSTLE THAT NEVER STOPS AND NEVER SLEEPS AS HIS DREAMS BECOME REALITIES AND HAVE ALWAYS BEEN THE BIGGEST HE CAN IMAGINE.
Spark Davidson, a Montreal-based artist, has made significant contributions to the music industry since launching his professional career in 1995. At the age of 28, Spark began managing multiple music groups, including his own R&B ensemble, “Portfolio,” featuring three of Montreal’s most talented vocalists: Alan Prater, Chris Millington, and Danny Blanco. With his keen eye for talent and innovative management style, Spark quickly established Portfolio as a powerhouse in the R&B scene. Within a year, the group achieved remarkable success, consistently selling out performances and captivating audiences with their soulful harmonies and dynamic stage presence.
Spark’s strategic negotiations for Portfolio’s publishing and recording contracts in both Montreal and Los Angeles further solidified his reputation as a savvy music industry professional. His efforts culminated in the launch of his own music production label, “4indamorning,” which rapidly became a household name in Montreal. Under his guidance, “4indamorning” emerged as a pivotal force in the local music scene, known for its distinctive sound and dedication to nurturing emerging talent.
Beyond his work with Portfolio, Spark Davidson’s influence extended throughout Montreal’s music community. His commitment to innovation and excellence helped elevate the city’s R&B and hip-hop genres, setting a high standard for artistic expression and collaboration. Spark’s ability to fuse traditional R&B elements with contemporary influences showcased his versatility and deep understanding of the evolving music landscape.
Spark’s impact on the music industry is a testament to his passion, creativity, and determination. As a manager, producer, and artist, he has left an indelible mark on Montreal’s music scene, inspiring a new generation of musicians and contributing to the city’s vibrant cultural tapestry. His journey from a rising artist to a respected industry leader is a remarkable achievement, reflecting his dedication to music and his unwavering pursuit of artistic excellence.
His latest music project IT’S ABOUT TIME -DA 4AM MIXTAPE ALBUM is available NOW