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Founded by Lamire Touré in 1987, Nuits D’Afrique is an annual festival in Montreal that really kicks off the summer. It takes place in July and runs for roughly two weeks of family oriented fun that enlightens, educates, and brings people together. The festival is a giant production that requires the blood, sweat, and tears of numerous individuals to make this more than 90 concert, activity filled spectacle run so successfully for several years. It is dedicated individuals like National Programming Director Hélène Dimanche, whose tireless efforts make Nuits D’Afrique possible year after year.

One would think that it would be extremely difficult to have the opportunity to perform at such world renowned festival but Hélène gives me insight into the festival and what you can do to perform on the same stage as Grammy Award Winners like Angelique Kidjo in the future.

“First, good music, second we look for world music”

TVM: Hélène comment allez-vous?

Hélène: Je vais très bien merci, et vous?

TVM: Très bien merci. Can you tell our readers a bit about yourself and what attracted you to Nuits D’Afrique?

Hélène: Well I was working in France and I had the chance to travel to Canada and I found an internship in communications at Festival Nuits D’Afrique and I fell in love with it. Mr. Touré is an amazing man and the company is equally as wonderful; it’s like a big family. There is no way you can find this kind of festival anywhere else. I’ve been working here for about 6 years now and I work with the programming of mainly local artists.

TVM: How does it work? Do you work towards the end result all year round?

Hélène: Actually the festival is only 15 days but it takes more than 6 months to make it happen because of all the logistics and the many things we deal with. Nuits D’Afrique isn’t the only festival, there is Production Nuits D’Afrique which are year round concerts that we invite international artists to perform at Club Balattou where there are 5 shows a week; it’s kind of the laboratory of the festival because we develop artists there and guide them towards furthering their careers. We also have Les Syli D’Or De La Musique Du Monde which is a contest for artists, especially Canadian ones, to help them start a good career. 

TVM: In terms of artists that you book for the festival, do they need to have previous experience or can they be amateurs?

Hélène: We open the door to anyone we think may be great on stage. You need to be comfortable on stage, interact with the audience, etc. We give everyone a fair chance but if you win Les Syli D’Or you are guaranteed a spot at the festival. Like most of the concerts you’ll see artists who have 2 albums, some don’t have any and this is the first time there even performing on a big stage.

TVM: Really? So for artists who don’t have that much experience where do they end up performing; the indoor or outdoor venues? Does it matter?

Hélène: Depends on the show actually, like some shows are better indoor versus outdoor and vice versa. Music that is very calm usually it would take place in a more intimate venue. A show were the artist talks to the audience and it’s loud and exciting would be better outside. So for outdoors we program bands that move people and make them want to dance.

TVM: What kind of artists do you look for? Are there any specific qualities you seek?

Hélène: First, good music (laughs), second we look for world music but that’s kind of a tricky term because everyone is kind of world music. We ask them to be good musicians, professional; if you have to be there at 8 don’t be there at 9, we want you to be able to work well as a team.

TVM: Is there a specific audition process to become a part of the festival?

Hélène:There are two different processes, international bands have to go through three showcases worldwide to figure out who is the hot band that year, who we should have, etc. We also keep contact with international journalists for any suggestions they can make about the artists from their countries. We request that international artists have a CD, have toured North America; because having a one shot concert here is pretty expensive. It’s better if they have at least 3 different dates here. For national artists we see them live or because they were in the Syli D’Or, played at Balattou, or we listen to their CD. So there isn’t really an audition, it’s a different process.

TVM: Nice. What aspects of your job do you like the most?

Hélène: This one now (laughs), I love the feeling of the festival, the audience going crazy because Angelique Kidjo is having an amazing show; this is what I prefer about my job being around the stage and working the stage.

TVM: Looking towards the future, what’s next for the festival? Do you have any artists in mind?

Hélène: For now, there are so many new bands in Montreal that I would love to work with but we’ll see. We are always looking for new different talent to promote. Like we have Nuits D’Afriques Sound System which is more electronic rap/hip hop, urban music type bands that we always try to promote under the whole umbrella of world music.

TVM: I have had the pleasure of being at a few shows now and there seems to be a real family oriented atmosphere, any thoughts?

Hélène: Yeah, we do want this to be a family event. I mean you’re gonna see many children around at the outdoor venues. Lamine Touré always says that he makes this festival for children. He wants them to know their culture because children are so far from their culture.

TVM: What do you feel is the overall message of the festival? What would you like the audience to gain from the festival?

Hélène: Be curious to see band and culture that you don’t know. All the people who come for the first time generally have a great experience and they feel so comfortable. I want the audience to go an check things out; give it a shot. You can travel here and it’s less expensive than a plane ticket.

TVM: Thank you so much for your time and I can’t wait for next year.

Hélène: Thank you so much! 

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“Jephte Bastien: Crafting Cinema, Challenging Norms, and Championing Authentic Stories”

Jephte Bastien, a multifaceted director, producer, creator, and editor, has carved a unique path in the film industry. From his humble beginnings in Haiti to his groundbreaking work in cinema, Jephte’s journey is a testament to resilience, creativity, and an unyielding passion for storytelling. In a recent interview, Jephte shared insights into his life, inspirations, and the challenges he has faced as a filmmaker.

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Early Beginnings: A Childhood of Creativity

Jephte’s love for storytelling began in his childhood. Growing up in Haiti, he would cut out paper silhouettes, align them with thread, and use a flashlight to project characters onto a makeshift screen. This early form of shadow puppetry allowed him to mimic voices and create stories, laying the foundation for his future in filmmaking. Music also played a significant role in his upbringing. As the seventh of nine boys in a large Christian family, Jephte started singing in church at the age of five. His family’s tradition of entertaining one another—through poetry, singing, and dancing—fostered his creative spirit.

Haiti: A Source of Inspiration

Haiti holds a special place in Jephte’s heart. Despite the media’s often negative portrayal of the country, Jephte describes it as a paradise filled with vibrant culture, music, and natural beauty. His early memories of Haiti are filled with joy—playing games, eating mangoes straight from the trees, and forming lifelong friendships. When his family moved to Canada, Jephte struggled with homesickness and depression. Haiti became a recurring theme in his dreams, a place he would revisit mentally to find solace and inspiration. Even as an adult, he traveled back to Haiti frequently, using the trips to rejuvenate his creative energy.

The Church and Early Questions

Growing up in a religious household, Jephte was deeply involved in the church. However, he began to question the narratives he was taught, particularly the lack of representation of Black people in religious imagery. These early questions about identity and representation would later influence his work as a filmmaker. Jephte’s departure from the church was not a rejection of faith but a search for truth and authenticity in storytelling.

A Journey to New York and Beyond

Jephte’s pursuit of his passion led him to New York in the 1990s, where he studied theater despite his parents’ wishes for him to become a lawyer. This decision marked the beginning of his independent journey. He worked tirelessly to pay for his education, immersing himself in the arts and honing his craft. After returning to Montreal, Jephte faced the harsh realities of the film industry. Despite his talent, opportunities were scarce, especially for a Black filmmaker in the 90s. Determined to tell his own stories, Jephte enrolled in film school, where he began to develop his unique voice.

Breaking Barriers in Filmmaking

Jephte’s career is marked by a series of groundbreaking projects. One of his early successes was editing a music video for the song “Due to the Interest” by Garou. Despite the director’s inexperience, Jephte stepped in to manage the set, ensuring the project’s success. The video became a buzz clip, earning praise from industry heavyweights like Luc Plamondon. However, Jephte’s refusal to accept a $2,000 bonus from the director highlighted his commitment to integrity over financial gain.

In 2003, Jephte produced Haiti Through My Eye,” a docu-series that showcased Haiti’s rich culture and history. The project was a critical success and opened doors for future opportunities, including funding for his feature film Exit 67.” Despite the challenges of securing funding and navigating the industry’s systemic barriers, Jephte remained steadfast in his mission to tell authentic stories.

The Draft: A Powerful Vision

One of Jephte’s most ambitious projects is The Draft,” a film about a young Black hockey player whose dreams are shattered by a brutal act of racism. The story follows his journey as he mentors his younger brother, offering a new paradigm for success. Jephte describes “The Draft” as the most powerful film he has ever written, a project that challenges the status quo and highlights the resilience of marginalized communities.

However, the production of “The Draft” was not without its challenges. Jephte faced significant obstacles, including interference from unions and a lack of support from industry institutions, except Telefilm and Harold Greenberg Fund, who supported the project from the beginning. Despite these hurdles, he remained committed to the project, pouring his own resources and energy into bringing his vision to life.

The Struggles of an Independent Filmmaker

Jephte’s experiences shed light on the difficulties faced by independent filmmakers, particularly those from underrepresented communities. In Canada, the film industry is heavily reliant on government funding, which often comes with strict quotas and limitations. Jephte has faced numerous rejections and setbacks, including being blacklisted by medias after an interview. Despite these challenges, he continues to create, driven by his passion for storytelling and his desire to challenge societal norms.

A Legacy of Resilience

Jephte Bastien’s journey is a testament to the power of perseverance and creativity. From his early days in Haiti to his groundbreaking work in film, he has remained true to his vision, using his art to challenge stereotypes and inspire change. As he continues to work on “The Draft” and other projects, Jephte’s legacy serves as a reminder of the importance of representation and the enduring power of storytelling.

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Jephte Bastien: The Visionary Filmmaker Behind Exit 67 and The Draft

Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.

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Jephte Bastien, the award-winning filmmaker renowned for his gripping storytelling and raw cinematic style, is set to captivate audiences once again with his upcoming film, The Draft. Best known for his debut feature film Exit 67, which garnered critical acclaim and won numerous awards, Bastien has established himself as a powerful voice in the world of cinema.

From Haiti to Canada: A Unique Perspective

Born in Haiti and raised in Canada, Jephte Bastien brings a unique perspective to his work, combining the rich cultural heritage of his homeland with the multicultural influences of his upbringing in Montreal. This blend of experiences has given Bastien a distinctive voice in filmmaking, allowing him to explore complex themes of identity, belonging, and the immigrant experience with authenticity and nuance.

Breaking Ground with Exit 67

Bastien burst onto the scene with his first feature film, Exit 67. Released in 2010, the film tells the story of a young man named Jecko, who is caught between the world of street gangs and his desire for a better life. Drawing from his own experiences and the reality of many young immigrants in Montreal, Bastien crafted a gripping narrative that resonated deeply with audiences and critics alike. The film’s success earned Bastien a Genie Award, cementing his status as a filmmaker to watch.

The Draft: A New Chapter

With his latest project, The Draft, Bastien is poised to once again capture the imagination of viewers. While details about the plot remain under wraps, the film promises to explore themes of power, corruption, and the human condition—elements that have become hallmarks of Bastien’s work. Set against a backdrop of political intrigue and moral dilemmas, The Draft is expected to be another compelling addition to Bastien’s filmography.

A Filmmaker with a Mission

Beyond his artistic achievements, Jephte Bastien is a filmmaker with a mission. He aims to tell stories that reflect the realities of marginalized communities and challenge societal norms. His films often delve into difficult subjects, shedding light on issues such as crime, poverty, and the immigrant experience, all while maintaining a deep sense of humanity and hope.

Looking Ahead

As Jephte Bastien prepares for the release of The Draft, anticipation is building among fans and critics alike. With his track record of compelling storytelling and his commitment to exploring important social issues, Bastien is sure to deliver another thought-provoking film that will leave a lasting impact.

Whether through his portrayal of gritty urban landscapes or his exploration of the human spirit, Jephte Bastien continues to push the boundaries of cinema. As we await the premiere of The Draft, one thing is certain: Bastien’s journey as a filmmaker is just beginning, and the best is yet to come.

https://www.imdb.com/title/tt19799652

https://www.imdb.com/name/nm3904454

https://www.instagram.com/the_draft_movie

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“Spark Davidson: The Visionary Behind Montreal’s R&B Revolution”

THIS IS THE TRUE STORY OF SPARK AND HIS HUSTLE THAT NEVER STOPS AND NEVER SLEEPS AS HIS DREAMS BECOME REALITIES AND HAVE ALWAYS BEEN THE BIGGEST HE CAN IMAGINE.

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Spark Davidson, a Montreal-based artist, has made significant contributions to the music industry since launching his professional career in 1995. At the age of 28, Spark began managing multiple music groups, including his own R&B ensemble, “Portfolio,” featuring three of Montreal’s most talented vocalists: Alan Prater, Chris Millington, and Danny Blanco. With his keen eye for talent and innovative management style, Spark quickly established Portfolio as a powerhouse in the R&B scene. Within a year, the group achieved remarkable success, consistently selling out performances and captivating audiences with their soulful harmonies and dynamic stage presence.

Spark’s strategic negotiations for Portfolio’s publishing and recording contracts in both Montreal and Los Angeles further solidified his reputation as a savvy music industry professional. His efforts culminated in the launch of his own music production label, “4indamorning,” which rapidly became a household name in Montreal. Under his guidance, “4indamorning” emerged as a pivotal force in the local music scene, known for its distinctive sound and dedication to nurturing emerging talent.

Beyond his work with Portfolio, Spark Davidson’s influence extended throughout Montreal’s music community. His commitment to innovation and excellence helped elevate the city’s R&B and hip-hop genres, setting a high standard for artistic expression and collaboration. Spark’s ability to fuse traditional R&B elements with contemporary influences showcased his versatility and deep understanding of the evolving music landscape.

Spark’s impact on the music industry is a testament to his passion, creativity, and determination. As a manager, producer, and artist, he has left an indelible mark on Montreal’s music scene, inspiring a new generation of musicians and contributing to the city’s vibrant cultural tapestry. His journey from a rising artist to a respected industry leader is a remarkable achievement, reflecting his dedication to music and his unwavering pursuit of artistic excellence.

His latest music project IT’S ABOUT TIME -DA 4AM MIXTAPE ALBUM is available NOW

https://www.4indamorning.com

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